* ' (novelization of ' as George Lucas) (1976), ISBN 9-1 *" The Chronicles of Riddick" ( 2004), ISBN 9-2 *" The Dig" (computer game) (also a novel) ( 1995), ISBN 3-0 *"Shadowkeep" (computer game) (also a novel) ( 1984), ISBN 3-8 *" The Last Starfighter" ( 1984), ISBN 5-X *" Clash of the Titans" ( 1981), ISBN 5-8 *" Mission to Moulokin" ( 1979), ISBN 6-0
*" Flinx Transcendent" (forthcoming 2009) *" Running from the Deity" ( 2005), ISBN 9-2 *" The End of the Matter" ( 1977), ISBN 1-4 *" For Love of Mother-Not" ( 1983), ISBN 1-6 *" Voyage to the City of the Dead" ( 1984), ISBN 5-5 It would be akin to a contractor demanding to have his name on a Frank Lloyd Wright house." Not having my name on the cover didn't bother me in the least. When asked if it was difficult for him to see Lucas get all the credit for Star Wars, Foster said "Not at all. It has long been known that Foster co-wrote the original novelization of "" (later retitled "Star Wars Episode IV: A New Hope") which had been credited solely to George Lucas. He also authored 10 volumes of novelizations based upon ', several of which involving taking the script for a half-hour episode and expanding it into a full-length novel. Foster wrote the treatment on which the film was based, perhaps accounting for the misattribution of the novel to him. Perhaps the most extreme example of this is " Sentenced to Prism", in which the protagonist finds himself trapped on a world where life is based on silicon rather than carbon, as on Earth.įoster has been so prolific that he is often rumored to have been the ghostwriter on novels with which he had little direct involvement, such as the novelization of ', which was credited to (and actually written by) Gene Roddenberry. Foster usually devotes a large part of his novels to descriptions of the strange environments of alien worlds and the coexistence of their flora and fauna. This can be seen in such works as " Midworld", about a semi- sentient planet that is essentially one large rainforest, and " Cachalot", set on an ocean world populated by sentient cetaceans. Often the villains in his stories experience their downfall because of a lack of respect for other alien species or seemingly innocuous bits of their surroundings. Many of Foster's works have a strong ecological element to them, often with an environmental twist. Flinx's constant companion since childhood is a minidrag named Pip, a flying, empathic snake capable of spitting a highly corrosive and violently neurotoxic venom.įoster's best-known fantasy work is the Spellsinger series, in which a young musician is summoned into a world populated by talking creatures where his music allows him to do real magic whose effects depends on the lyrics of the popular songs he sings (although with somewhat unpredictable results).
Many of these novels feature Philip Lynx ("Flinx"), an empathic young man who has found himself involved in something which threatens the survival of the Galaxy. He is best known for his science fiction novels set in the Humanx Commonwealth, an interstellar ethical/political union of species including humankind and the insectoid Thranx. He was born in New York City, and currently resides in Prescott, Arizona, with his wife.
#A CALL TO ARMS BY ALAN DEAN FOSTER MOVIE#
Website = Alan Dean Foster (born November 18 1946) is a prolific American writer of science fiction and fantasy novels and movie novelizations. The Amplitur had discovered Earth.Birthdate = birth date and age|1946|11|18 Will tried to convince the aliens that Man was fundamentally peaceful, for he understood that Human involvement would destroy the race. for allies among what they believed to be a uniquely warlike race: Humans. What he found instead was a group of alien visitors ? a scouting party for the Weave, looking. And fight it did ? for thousands of years.Will Dulac was a New Orleans composer who thought the tiny reef off Belize would be the perfect spot to drop anchor and finish his latest symphony in solitude. But the Weave's surprising unity also gave it the ability to fight the Amplitur and their cause. When the Amplitur and their allies stumbled upon the races called the Weave, the Purpose seemed poised for a great leap forward. For eons, the Amplitur had searched space for intelligent species, each of which was joyously welcomed to take part in the fulfillment of the Amplitur Purpose.